Weird Music
Цель: эксперимент по продвижению в массы любой нестандартной и сумасшедшей музыки, не находящей себе места в других категориях.
Принимается музыка в любом качестве и оцифрованная с любого источника.
Пользователей: 104
Администратор: cachanoff
Модераторы: Peter2 SL3 watsche bvz_bvz kobyla5 fle ales6 taverovski archy1987 shamenko cobalt6 gwygwy makvlad etamax dim_mono yobst ganesh21 sylviann antikosmos zyas angeltv76 fecallcall
U.K. - Concert Classics, Vol. 4 - 1999
Год: 1999
Стиль: Progressive Rock, Art Rock
Страна: UK
Издатель (лейбл): Renaissance Records
Номер по каталогу: RRCC00704
Формат: Flac (Tracks+Cue+Log+Scans)
Размер: 304.14 MB
те, кому еще не посчастливилось услышать работ U.K., едва ли может называться любителем прогрессивной музыки. Конечно, нет ни одного исполнителя, который бы нравился исключительно всем, но если U.K. вам придется по душе, обязательно захочется понять, из чего сложилась эта замечательная музыка. © Олег Анурин, Арт рок кафе
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James Plotkin - A Strange, Perplexing (1996)
Artist: James Plotkin
Title: A Strange, Perplexing
Date: 1996
Label: Discreet/Indiscreet creet005
Quality: MP3 CBR 192 Kbps
Size: 85,4 Mb
From amazon.com:
This is definitely Plotkin's most utterly "ambient" solo release, on a par with his collaborations with Mark Spybey, Brent Gutzeit, Mick Harris, etc. There are no rhythm tracks, bass lines, or other such frills. The only source instrument listed is the guitar, but as usual, you wouldn't know this by listening to it. It's been completely manipulated and deconstructed into purely abstract sound. The first time I heard the hint of a melody was on track 5. Overall, I dare say it sounds a little cliche. To be fair, according to the liner notes the recordings span from 1993 to 1996, and I don't think it would have sounded so hackneyed during that period. (Well, maybe to Brian Eno it would have.) Like most ambient, it's great when you're in the mood. When you aren't in the mood, listening to it can be a frustrating experience.
Инфо здесь.
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Chris Brown, Larry Ochs, William Winant - Room (1989)
Artist: Chris Brown, Larry Ochs, William Winant
Title: Room
Date: 1989
Label: Sound Aspects SAS CD 028
Quality: MP3 CBR 224 Kbps
Size: 121,8 Mb
Инфо здесь.
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Luigi Archetti & Bo Wiget - Low Tide Digitals (2001, Rune Grammofon 2019)
Artist: Luigi Archetti, Bo Wiget
Title: Low Tide Digitals
Date: 2001
Label: Rune Grammofon RCD 2019
Quality: MP3 CBR 192 Kbps
Size: 58,4 Mb
Вот что говорят рунграммофонщики:
First non-norwegian artists on the label, needless to say we really love this record and are proud to have it in our catalogue. With cello, guitar and electronics our Swizz friends weave a beautiful, detailed and fragile soundscape. References to ambient, electronica and contemporary music but basically beyond categorisation. We seem to be hearing Eno in here somewhere, but can´t really say why. Check it out!
Инфо здесь.
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Birdsongs Of The Mesozoic - Dawn Of The Cycads (2008, Cuneiform 274/5)
Artist: Birdsongs Of The Mesozoic
Title: Dawn Of The Cycads
Date: 2008
Label: Cuneiform Rune 274/5
Quality: MP3 VBR 256 Kbps
Size: 125,8+106,9 Mb
Birdsongs Of The Mesozoic began in 1980 as a side project by half of Boston's famed rock band, Mission Of Burma: Roger Miller and Martin Swope. Miller and Swope joined forces with Rick Scott and Erik Lindgren. Perhaps because of their tie to the ever-popular Burma or perhaps because of their sheer excellence Birdsongs Of The Mesozoic earned international recognition for their innovative sound. The New York Times called them "the world's hardest rocking chamber music quartet." Their unlikely mix of rock, punk, classical, minimalism, and free-form sound appealed to a broad range of musical tastes. As Roger remembers in the liner notes, "If I had to say what I thought was most unique about the band, it was that we actually played rock clubs and basically pulled off this rather unorthodox thing. Well sure, we pissed off some rockers ("Just look at 'em up there, shuffling their papers!"), but that wasn't really our concern. If this odd quartet wasn't about as different as you could get and still play those venues, well at least we put up a pretty good fight." Rick Scott comments, "We were always the square peg in a world of round holes. Our instruments weren't bass, guitar, and drums, but guitar, three keyboards, and drum machine (with turntable, water can, washboard, and clarinet thrown in for good measure!). We played in rock clubs, but read from sheet music. We shared the stage with three-chord rockers, but played music from Brian Eno and Igor Stravinsky, and covered the theme from 'Rocky and Bullwinkle'. It boggles the mind how we got away with it."
For the first time ever, all of the band's 3 recordings for Ace of Hearts (Birdsongs of the Mesozoic, Magnetic Flip and Beat of the Mesozoic) are reissued in their entirety and in the order in which they were originally heard when they were issued. In the the words of Erik Lindgren, the remastering, "sonically makes the 'Sonic Geology' package irrelevant."
Инфо здесь.
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Barry Altschul Quartet - For Stu (1979, Soul Note 015)
Artist: Barry Altschul Quartet
Title: For Stu
Date: 1979
Label: Soul Note 121 015-2
Quality: MP3 CBR 256 Kbps
Size: 74,9 Mb
From allmusic.com:
Review by Scott Yanow
This is a well-rounded set featuring drummer/leader Barry Altschul, pianist Anthony Davis, rambunctious trombonist Ray Anderson and bassist Rick Rozie. The four lengthy performances include a solo feature for Altschul ("Drum Role"), the intriguing title cut, an Anthony Davis ballad ("Sleepwalker") and a fine 13 1/2 minute interpretation of Charles Mingus' "Orange Was the Color of Her Dress, Then Silk Blues." A continually interesting set.
1 For Stu Altschul 11:08
2 Sleepwalker Davis 9:07
3 Drum Role Altschul 6:52
4 Orange Was the Color of Her Dress, Then Blue Silk Mingus 13:33
Catalog #
Soul Note 1015
1997 CD Soul Note 121015
Barry Altschul Drums, Producer
Ray Anderson Trombone
Chuck Ange Engineer, Remixing
Giovanni Bonandrini Executive Producer
Anthony Davis Piano
Phil Faraci Assistant Engineer
Lee Jeske Liner Notes
Rick Rozie Bass
Cheryl Smith Remix Assistant
Luigi Zanon Photography
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Mike Keneally - Parallel Universe (2004)
Artist: Mike Keneally, Metropole Orkest
Title: Parallel Universe
Date: 2004
Label: Exowax EX 2407
Quality: MP3 CBR 192 Kbps
Size: 57,7 Mb
Я уже малость устал всем напоминать, какой туз Майк Кенилли, но эта пластинка должна быть у всех, кто любит "классическое" и электронное творчество Заппы (который умер, но дело его живет). Тем более, что достать её совсем не просто. Очень рекомендую. Инфо здесь.
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Figure 8 - Pipe Dreams (1995, Black Saint 167)
Artist: Figure 8 (Rova x 2)
Title: Pipe Dreams
Date: 1995
Label: Soul Note 120 167-2
Quality: MP3 CBR 128 Kbps
Size: 73,8 Mb
Figure 8 — это удвоенный Rova Saxophone Quartet. Инфо здесь.
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Dave Douglas - Sanctuary (1997, Avant 066)
Artist: Dave Douglas
Title: Sanctuary
Date: 1997
Label: Avant Avan 066
Quality: MP3 CBR 256 Kbps
Size: 104,4+111,8 Mb
Инфо здесь.
From allmusic.com:
Although Dave Douglas is credited as leader, Sanctuary is not just an album of him supported by a backing band. Instead, Douglas plays as equal member in a project of standout musicians. Team work is the theme; live performance is the key. Each CD is a nonstop recording of a different August 1996 show at N.Y.C.'s Knitting Factory. Heard is the great interplay between Douglas, Cuong Vu, and Chris Speed as their horn conversations intermittently get animated and peak, then settle back within the band. The sampling — provided by Anthony Coleman and Cibo Matto's Yuka Honda — playfully interacts with the rest of the music on disc one. Throughout "The Lethe" and "Dark Wood," for example, the sampling provide humor and thrills, interjecting into the music like zoo animals spontaneously joining in visitors' conversations! During "Dome" and "Heavenly Messenger," the basses of Mark Dresser and Hillard Greene sound simultaneously like a creaking ship, a mournful violin, and a dress slowly zipped by another. They then follow a stair-tumbling drum solo by teaming with the samplers. At other times, the drums and basses form a simply steady rhythm section. Disc one's concert closes with sampled electronic beats running beneath slow swells and statements made by the group, sounding like a dance track played at too slow of a speed. The concert heard on disc two opens cacophonous and splurty, and stays relatively crazy until "Lantern"'s spookhouse quiet suspense. "Mad Dog" includes a terrific drum solo from Dougie Bowne. Again, the horns play tight and exciting throughout, and the samplers provide more ambience, with backwards voices and organ sounds, later adding groove-oriented beat tracks. Never guilty of carrying any style or approach for too long, the musicians keep mixing it up, yielding two excellent, well-rounded shows' worth of recordings. Part abstract space shooting, part late-night dance party, all mixed with the scratching and balladry of outside jazz, Sanctuary is a definite strong addition to any collection that values these musicians, and a good introduction to them for all adventurous listeners ready to jump right in.
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Dave Douglas - Parallel Worlds (1993, Soul Note 226)
Artist: Dave Douglas
Title: Parallel Worlds
Date: 1993
Label: Soul Note 121226-2
Quality: MP3 CBR 192 Kbps
Size: 90,1 Mb
Инфо здесь.
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Yang - A Complex Nature (2004, Cuneiform 197)
Artist: Yang
Title: A Complex Nature
Date: 2004
Label: Cuneiform Rune 197
Quality: MP3 VBR 256 Kbps
Size: 89,8 Mb
Yang, a French quartet whose stunning compositons combine intricate guitar parts with driving rock, is the newest project led by French guitarist and composer Frederic L’Epйe. ’Epйe’s
former projects include founding two of the most intriguing all-instrumental bands to emerge from France and capture international interest: Shylock and Philharmonie. Yang, L’Epee’s post-Philharmonie band, extends some of Philarmonie’s compositional ideas while adopting a harder tempered, more rock-based approach. Featuring the 'standard' line-up of two guiarists, bass and drums, Yang play a dynamic instrumental music that rocks hard, and which bears comparisons to groups such as Gordian Knot and King Crimson. L’Epйe formed Yang in September, 2002. Yang’s debut CD consists of 8 compositions written by L’Epйe with each of the specific band members in mind. The band recorded the CD quickly, spending only 3 days in the studio in a conscious attempt to harness the power and spontanaety of live performance. Featuring intricate and often beautiful guitar pieces embedded in harder-tempered rock compositions, complex rhythms and melodic modes not previously seen in L’Epйe’s work, and a rich variety of guitar treatments, A Complex Nature is an inventive, dynamic and accessible instrumental work that rocks hard. It is, in L’Epйe’s own words: “the next step after Philharmonie’s last CDs: Rage and The Last Word.” This exciting and hard-rocking album features some subtly stunning work from all players, and is probably as close to an 'air guitar' album as you will ever hear from Cuneiform!
01-Les Deux Mondes (The Two Worlds) [08:14]
02-Souterrain (Subterranean) [06:39]
03-Seducteur Innocent (Innocent Seducer) [05:49]
04-Compassion [04:28]
05-Homme-enfant (Manchild) [04:44]
06-Impatience [07:04]
07-Le Masque Rouge (The Red Mask) [05:29]
08-Orgueil (Pride) [05:54]
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Greg Cohen - Moment To Moment (1998, DIW 928)
Artist: Greg Cohen
Title: Moment To Moment
Date: 1998
Label: DIW 928
Quality: MP3 CBR 256 Kbps
Size: 84,8 Mb
1. Dog Walk (Cohen) — 3:50
2. Blue Turning Grey over You (Razaf/Waller) — 5:44
3. Cracker Jack (Cohen) — 4:53
4. The Touch of Your Lips (Noble) — 6:27
5. Moment to Moment (Mancini/Mercer) — 4:59
6. Severino (Cohen) — 3:43
7. East of the Sun (Bowman) — 5:06
8. Milt's Delight (Dameron) — 4:52
9. Day Dream (Ellington/Latouche/Strayhorn) — 4:24
10. Darkness on the Delta (Livingston) — 5:03
Donald Bailey — Drums
Greg Cohen — Bass, Producer
Teddy Edwards — Sax (Tenor)
Ikue Mori — Design, Cover Design
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Eugene Chadbourne - Hellington Country (1997, Intakt 052)
Artist: Eugene Chadbourne
Title: Hellington Country
Date: 1997
Label: Intakt 052
Quality: MP3 CBR 224 Kbps
Size: 120,9 Mb
Инфо здесь.
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Diane Labrosse. Martin Tetreault. Haco - Lunch In Nishinomiya (2005)
Artist: Diane Labrosse, Martin Tetreault, Haco
Title: Lunch In Nishinomiya
Date: 2005
Label: Improvised Music From Japan IMJ-527
Quality: MP3 CBR 192 Kbps
Size: 62,2 Mb
In the trio album Lunch in Nishinomiya, Haco (contact microphones, oscillators, effects) joins forces with two leading Montreal improvisers known for their innovative playing--Diane Labrosse (sampler) and Martin Tetreault (turntable, surfaces, small electronics). When Labrosse and Tetreault came to Japan in 2003, they found a kindred spirit in Haco. The three recorded an improvised music session at Haco's studio in Nishinomiya (near Osaka), and later completed the construction and mix through an e-mail exchange between Canada and Japan. This is not Haco the songstress. With exquisite balance, the trio combine a variety of grating, explosive, scraping, vibrating sounds (noises) with precise breathing and dynamism, tension and relaxation. The result is extremely delicate electroacoustic sound. Eight tracks in all.
Инфо здесь.
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Steuart Liebig - Pomegranate (2001, Cryptogramophone CG109)
Artist: Steuart Liebig
Title: Pomegranate
Date: 2001
Label: Cryptogramophone CG109
Quality: MP3 CBR 192 Kbps
Size: 103,5 Mb
Инфо здесь.
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Nels Cline - New Monastery (2006, Cryptogramophone CG130)
Artist: Nels Cline
Title: New Monastery (A View Into The Music Of Andrew Hill)
Date: 2006
Label: Cryptogramophone CG130
Quality: MP3 VBR 256 Kbps
Size: 133,2 Mb
From allmusic.com:
Review by Thom Jurek
If Otomo Yoshihide can interpret Eric Dolphy and Marc Ribot can do Albert Ayler, then why not Nels Cline doing Andrew Hill — who is still alive and creating marvelously, with his recordings in the current century clear evidence of this. As Cline describes his approach in the liner notes, this most certainly is not a tribute record or an attempt to completely re-create Hill's music. The transcriptions came from recordings rather than notated sources. He also writes that the bandmembers — like many of Hill's ensembles — do not play on changes (in "Dedication" and the medley "Yokada Yokada/The Rumproller" — a bit of humor tossed in — they do, but nowhere else). The band includes Cline on guitars, Ben Goldberg on clarinets, Bobby Bradford on cornet, Andrea Parkins on accordion and sonics, Devin Hoff on bass, drummer Scott Amendola, and Alex Cline playing drums on "Dedication" and "Compulsion." This is an unusual lineup, but then, perhaps the music, interpreted as it is here from nearly all of Hill's periods, demanded it. There are four medleys, so Cline could get as much in as possible. The opening set, which blends "McNeil Island" with "Pumpkin," is held together by the general restraint of the ensemble and Bradford's muscular cornet. In the medleys, the band is much freer, and engaging a sense of humor that has always been in Hill's work but is generally not considered — although in the next track, "Not Sa No Sa," the free playing reaches a peak with Parkins barging through the mix with her accordion and Cline playing his fiery, distorted best. ... Read More...
1 McNeil Island/Pumpkin Hill 6:22
2 Not Sa No Sa Hill 8:57
3 No Doubt/11/8/Dance with Death Hill 23:35
4 Yokada Yokada/The Rumproller Hill 4:52
5 Dedication Hill 8:06
6 Reconciliation/New Monastery Hill 10:33
7 Compulsion Hill 11:11
Catalog #
2006 CD Cryptogramophon 130
2006 CD Cryptogramophon 130
Scott Amendola Percussion, Drums
Joshua Blanchard Assistant Engineer
Bobby Bradford Cornet
Rich Breen Engineer, Liner Notes, Mastering, Mixing
Alex Cline Percussion, Cover Design
Nels Cline Guitar, Arranger, Cover Design, Effects
Jeff Gauthier Producer, Liner Notes
Ben Goldberg Clarinet
Devin Hoff Double Bass
Gareth Jiffeau Cover Design
Reid Miles Photography
Andrea Parkins Accordion, Effects
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Led Bib - Sensible Shoes (2009, Cuneiform Rune 283)
Artist: Led Bib
Title: Sensible Shoes
Date: 2009
Label: Cuneiform Rune 283
Quality: MP3 CBR 320 Kbps
Size: 128,8 Mb
From allmusic.com:
Review by Dave Lynch
Led Bib are explosive enough to blow up your speakers — after they've done a number on their own speakers, that is. The British quintet plays hot-wired electric jazz-rock with two alto saxes wailing over (usually) electric keys and bass plus no-nonsense drums — and, incidentally, drummer Mark Holub composes nearly all the band's material. Those saxes, belonging to Chris Williams and Pete Grogan and nicely positioned in the stereo field, are practically mirror images, matched in tone and intensity as they pair up in harmony, echo each other in counterpoint, or democratically divide up the soloing space. There's a '90s New York downtown feel to their tone, phrasing, and interplay, recalling in particular the two altos of Ned Rothenberg and Thomas Chapin in Rothenberg's funked-up Double Band releases on the Moers label. Yet Liran Donin's fuzzy rattling bass and Toby McLaren's burning Fender Rhodes truly differentiate this group from the pack — it sometimes seems like Donin in particular has decided that nothing could possibly elevate the proceedings more than playing through a demolished speaker, and McLaren makes the overdriven sound of Miles Davis' fusion-era electric keyboardists seem like George Winston. The opening moments of "Yes, Again" waltz darkly, offering few clues of what's around the corner: the brief assault of an angular theme followed by a squeaky buzzing and pounding blast of ear-shredding keyboard and bass driven by rock-solid rhythms underpinning those siren-wailing saxes. Tempos shift, constrict, and loosen as the band uncoils, only to tighten back into the theme and stop on a dime just as your neighbors shout at you to turn the stereo down. The playful two-note sax blurt beginning "Squirrel Carnage" is joined by the rest of the band's clipped phrases and fractured rhythms, suddenly overtaken by that thick fuzz bass and Rhodes as the energy builds and McLaren unleashes a frantic solo followed by squalling saxophone and an abrupt tumble onto a free-form plateau. Led Bib are not afraid to abandon the rhythm, as they do for a short spell here, but they also relish bringing everything back together, assembling compositional puzzle pieces and ratcheting the energy level up, slamming into a tightly focused finale.
1 Yes, Again Holub 4:55
2 Squirrel Carnage Holub 7:10
3 Early Morning Holub 7:10
4 Sweet Chilli Holub 5:22
5 2.4:1 (Still Equals None) Williams 5:56
6 Call Centre Labyrinth Holub 7:00
7 Water Shortage Holub 7:11
8 Flat Pack Fantasy Holub 4:49
9 Zone 4 Williams 9:07
Catalog #
2009 CD Cuneiform 750283
Liran Donin Bass
Pete Grogan Saxophone
Mark Holub Drums
Mandy Parnell Mastering
Mark Rankin Engineer, Mixing
Chris Williams Saxophone
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Jellyfish Kiss - Luna Hotel (1994, RecRec 63)
Artist: Jellyfish Kiss
Title: Luna Park
Date: 1994
Label: RecRec ReCDec 63
Quality: MP3 CBR 320 Kbps
Size: 108 Mb
Какой, однако, кайфовый альбом! Стопроцентно рекрековская запись. Сразу вспоминаются и Skeleton Crew, и Etron Fou Leloublan, и Slapp Happy тоже. Легко, красиво, приятно, но и не без дадаизьма. Горячо рекомендую. Инфо здесь.
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Gong - 2032 (2009)
Artist: Gong
Title: 2032
Date: 2009
Label: G-Wave
Quality: MP3 CBR 320 Kbps
Size: 173,5 Mb
Новая пластинка одной малоизвестной то ли английской, то ли французской старой психоделической группы.
1. City Of Self Fascination (6:04)
2. Digital Girl (4:23)
3. How To Stay Alive (8:06)
4. Escape Control Delete (7:58)
5. Yoni Poem (2:09)
6. Dance With The Pixies (4:37)
7. Wacky Baccy Banker (8:21)
8. The Year 2032 (5:39)
9. Robo-Warriors (3:00)
10. Guitar Zero (4:55)
11. The Gris Gris Girl (6:29)
12. Wave And A Particle (2:05)
13. Pinkle Ponkle (4:359
14. Portal (7:08)
Total Time: 75:29
Line-up / Musicians
- Daevid Allen / vocals, guitars
— Gilli Smyth / space whisper
— Steve Hillage / guitar
— Miquette Giraudy / synthesizer, vocals
— Mike Howlett / bass
— Chris Taylor / drums
— Theo Travis / saxophone, flute
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Steve Swell - Planet Dream (2009, Clean Feed 148)
Artist: Steve Swell
Title: Planet Dream
Date: 2009
Label: Clean Feed CF148
Quality: MP3 VBR 192 Kbps
Size: 76,2 Mb
Bracing work from a trio of young moderns — Steve Swell on trombone, Rob Brown on alto sax, and Daniel Levin on cello! The album's partially under Swell's leadership, as half the tunes are his own compositions — but some of the best numbers here are improvisations, which are equally weighted to the talents of all three players — recorded in very open, abstract territory. Titles include "Out Of The Box", "Airtight", "#2 Of Nine", "Not Necessarily This Nor That", "Planet Dream", "Juxtsuppose", "Texture #2", and "City Life". © Dusty Groove America, Inc.
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